So this weeks recommendation is a little odd. Drawing Tutorials Online is this website / YouTube channel that I have been following on and off for over five years now. The odd bit is that I've watched literally hours of videos from these guys and I still haven't actually seen a single tutorial.
I always end up caught in this loop watching the sketchbook videos of the students. There's a lot to be picked up from looking at the different tools and techniques they're using and the kinds of assignments they have to turn in.
It might just be my perspective, but I find it more motivational to see a younger person building on their talent than watching an industry veteran show off twenty or more years of experience. Don't get me wrong, the talent in most of these sketchbook videos blows anything I can produce out of the water.
Seeing younger people who have just started their artistic careers putting out that level of quality is inspirational to me. I'll set my sights on drawing at Joe Mad or J Scott's level when I'm ten or twenty years down the road.
If you're not sure where to start, I recommend these two students as an introduction to the channel:
Spencer's Sketchbook and Allan's Sketchbook
Wednesday, February 17, 2016
Monday, February 15, 2016
Day 46: Christopher Hart's "Cartoon Cool"
| Level: | Beginner / Intermediate |
| Tone: | Step-by-step |
| Pages: | 112 |
| Published: | 2005 |
| Arbitrary Rating: | 4/5 |
| Plan to Reread: | Yes |
My Opinion:
Over the years I have seen more books by Christopher Hart than I can count. The guy has something published for pretty much every style you can find. I'm not entirely clear on the why, but he's also pretty polarizing in the drawing community. Some people like his books a lot, some people hate them. There's even a few people who have dedicated web sites to why you shouldn't read Hart's stuff.
My local library had a copy of "Cartoon Cool: How to Draw New Retro-Style Characters" and I couldn't really pass on a whole collection of guides just because of some mix reviews. Plus, this style is still way outside the range that I typically draw so the bar for improvement is pretty low.
One tip that I learned directly from this read is that you add bold lines by tracing along only one side of the original sketch. This probably sounds super obvious to anyone who has experience drawing, but I had always assumed you just trace over the original line. That's why my lines would wobble back and forth on both sides of the original and always looked awful.
Learning something new, even something small is a step in the right direction for me. I also appreciate that the pages are stuffed with examples and step by step guides instead of pages of discussion on what makes a cartoon style. I'm not sure I'm ready to give Hart a glowing review for all of his publications, but this one is definitely worth a read if you're looking to draw cartoons.
Friday, February 12, 2016
Day 43: Week 7 Summary
Not as much to post this week. I got carried away with gesture drawings when I found that charcoal pencil buried in my art supplies. My typical approach to drawing is to over analyze every line and draw the picture like I'm trying to solve some advanced math formula. Taking a step back to just capture the action lines and train my eyes to really take in the image was helpful for me.
I got into was some random cartoon studies and a bit of Christopher Hart's stuff that has been collecting dust on my book shelf.
I also ran through a few eye tutorials to work on my symmetry and use of values. Eyebrows still kill me and pretty much any eye that isn't a near perfect circle or rectangle turns out wonky on one side. I read somewhere that an artist was asked what was the hardest thing to draw and his answer was, "The other eye." That is no joke. You can nail the first eye, but that just puts more pressure on you not to bone the next one.
.
So far the shotgun approach of throwing a little effort at everything feels like it's working for me. I'm thinking in March I'll choose a single topic and dedicate the whole month to drawing the crap out of it. Then I can compare notes and see which method feels more productive at the end of the month.
* I'm considering Friday to be the end of the week for tracking metrics so that it lines up with my summary posts.
** I had to use a some fuzzy math to figure the page count for some of my Kindle books since they only have location tagging.
I got into was some random cartoon studies and a bit of Christopher Hart's stuff that has been collecting dust on my book shelf.
I also ran through a few eye tutorials to work on my symmetry and use of values. Eyebrows still kill me and pretty much any eye that isn't a near perfect circle or rectangle turns out wonky on one side. I read somewhere that an artist was asked what was the hardest thing to draw and his answer was, "The other eye." That is no joke. You can nail the first eye, but that just puts more pressure on you not to bone the next one.
.
So far the shotgun approach of throwing a little effort at everything feels like it's working for me. I'm thinking in March I'll choose a single topic and dedicate the whole month to drawing the crap out of it. Then I can compare notes and see which method feels more productive at the end of the month.
| Pages Read This Week | 135 |
| Total Pages Read Since Launch | 735 |
| Books Completed Since Launch | 10 |
| Total Tutorial Run-time | 3 hours 30 minutes |
| Days Since Launch | 43 |
| - Active Days (1 hour or more of practice) | 43 |
| Drawing Time This Week | 7 hours |
| Drawing Time Total | 44 hours 7 minutes |
* I'm considering Friday to be the end of the week for tracking metrics so that it lines up with my summary posts.
** I had to use a some fuzzy math to figure the page count for some of my Kindle books since they only have location tagging.
Wednesday, February 10, 2016
Day 41: Tutorials by Mark Crilley
I've gotten a little carried away with doing gesture drawings since I dug up an old charcoal pencil. The last few days my 20 minute warm up has ended up running for almost the whole hour I set aside for drawing. Which isn't bad at all, since observation is one of my weak areas.
On the other hand, I still like to soak up some of the expertise that's floating out there and since I looked over one of Mark Crilley's books on Monday, I thought it would be a good time to skim through his YouTube channel again.
If you check out his How to Draw playlist, you'll find 217 tutorials and that doesn't even include the other videos like his realism challenges. At this point I've literally watched less than 2% of the how to playlist.
One of the things I really appreciate about Mark's tutorial is that he considers the length of the video and uses time lapse editing to skip through the time consuming parts that might not shed much light on the topic at hand.
I followed along on his first ear and hands tutorials for a quick refresher.
How to Draw an Ear [HTD Video #1]
There's something about drawing the ear that's still challenging for me. Even when it's reduced to cartoon simplicity I struggle with nailing the symmetry between one side of the head and the next. It's especially difficult when drawing atypical ears like you would find on goblins or aliens since you don't really see those out in the real world.
How to Draw Hands [HTD video #3]
Drawing hands is still hard, but it's starting to come along now that I have basic shapes to build with to establish the general location and motion of the hand and fingers. I still need a lot of practice to draw them on the fly, but at this point I feel much more confident drawing from reference and that's a good first step.
On the other hand, I still like to soak up some of the expertise that's floating out there and since I looked over one of Mark Crilley's books on Monday, I thought it would be a good time to skim through his YouTube channel again.
If you check out his How to Draw playlist, you'll find 217 tutorials and that doesn't even include the other videos like his realism challenges. At this point I've literally watched less than 2% of the how to playlist.
One of the things I really appreciate about Mark's tutorial is that he considers the length of the video and uses time lapse editing to skip through the time consuming parts that might not shed much light on the topic at hand.
I followed along on his first ear and hands tutorials for a quick refresher.
How to Draw an Ear [HTD Video #1]
There's something about drawing the ear that's still challenging for me. Even when it's reduced to cartoon simplicity I struggle with nailing the symmetry between one side of the head and the next. It's especially difficult when drawing atypical ears like you would find on goblins or aliens since you don't really see those out in the real world.
How to Draw Hands [HTD video #3]
Drawing hands is still hard, but it's starting to come along now that I have basic shapes to build with to establish the general location and motion of the hand and fingers. I still need a lot of practice to draw them on the fly, but at this point I feel much more confident drawing from reference and that's a good first step.
Monday, February 8, 2016
Day 39: Mark Crilley's "Mastering Manga: How to Draw Manga Faces" [Kindle Edition]
| Level: | Beginner |
| Tone: | Step-by-step |
| Pages: | 135 |
| Published: | 2012 |
| Arbitrary Rating: | 4/5 |
| Plan to Reread: | Yes |
My Opinion:
I'm going to err on the side of caution here and recommend that you view this two minute video on Mark Crilley's Realism Challenge #3 if this is the first time you're hearing of him. Mark Crilley is the artist / creator of "Brody's Ghost" and a number of drawing guides, including "Mastering Manga, How to Draw Manga Faces" which I actually knocked out in a single sitting.
I wanted to highlight the realism challenge so that less people will rush to judge the book by it's cover and assume his artistic range is limited to one particular style. As an added benefit, you can find a ton of tutorials on his YouTube channel at markcrilley.
The book includes 20 hair styles for both girls and guys, 100 manga eyes, 12 common expressions, and front / three quarter / profile head shots for young, old, heavy set, and child type characters. It's a little on the brief side, but you can get a lot of mileage out of the step-by-step lessons provided if you're leaning towards a manga influenced style.
Friday, February 5, 2016
Day 36: Week 6 Summary
Another week down! Going by the last self-help book I read, I've passed the six week mark to form a strong habit so it should be down hill from here. Now I just have to keep up the practice, improve, and repeat.
With the pep talk done, I should mention that I'm still stuck in a slump right now. It's hard to find a strong theme to draw from day to day so I ended up just thumbing through my tutorials folder until I found something that I'm weak on and practiced that.
Which is why I ended up drawing 100'ish mouths to improve my range of expressions.
The heads in the top left came from a tutorial I bookmarked forever ago at Cartoon Fundamentals: How to Draw a Cartoon Face Correctly The noses in the top right are from Proko's tutorial and the profile view is from a random tutorial I found on imgur.
More hand practice, because hands are hard. Like really hard. I also dropped in some loose cartoon work to try and grease the wheels for the three panel gag strip I'm working on for my next 757 Comic and Cartoon Creators club meeting.
I didn't churn out as many pages this week because I dropped another two hours into Krita and threw some time at mocking up a business card. If learning to draw is anything like learning a language, application is every bit as important as practice if not more so.
* I'm considering Friday to be the end of the week for tracking metrics so that it lines up with my summary posts.
** I had to use a some fuzzy math to figure the page count for some of my Kindle books since they only have location tagging.
With the pep talk done, I should mention that I'm still stuck in a slump right now. It's hard to find a strong theme to draw from day to day so I ended up just thumbing through my tutorials folder until I found something that I'm weak on and practiced that.
Which is why I ended up drawing 100'ish mouths to improve my range of expressions.
The heads in the top left came from a tutorial I bookmarked forever ago at Cartoon Fundamentals: How to Draw a Cartoon Face Correctly The noses in the top right are from Proko's tutorial and the profile view is from a random tutorial I found on imgur.
More hand practice, because hands are hard. Like really hard. I also dropped in some loose cartoon work to try and grease the wheels for the three panel gag strip I'm working on for my next 757 Comic and Cartoon Creators club meeting.
I didn't churn out as many pages this week because I dropped another two hours into Krita and threw some time at mocking up a business card. If learning to draw is anything like learning a language, application is every bit as important as practice if not more so.
| Pages Read This Week | 245 |
| Total Pages Read Since Launch | 600 |
| Books Completed Since Launch | 9 |
| Total Tutorial Run-time | 3 hours 2 minutes |
| Days Since Launch | 36 |
| - Active Days (1 hour or more of practice) | 36 |
| Drawing Time This Week | 7 hour 5 minutes |
| Drawing Time Total | 37 hour 7 minutes |
* I'm considering Friday to be the end of the week for tracking metrics so that it lines up with my summary posts.
** I had to use a some fuzzy math to figure the page count for some of my Kindle books since they only have location tagging.
Wednesday, February 3, 2016
Day 34: Tutorials by Stan Prokopenko
Disclaimer: Proko's tutorials cover a range of topics, including anatomy, which commonly have NSFW reference material. Please keep that in mind before you follow any links in today's post.
While I haven't had the opportunity to view any of the premium content that Proko offers on his site at proko.com, I've watched close to two hours of his free content on YouTube. There's a healthy debate on the merit of tutorials with paywalls when there is so much available for free but my opinion is that this would be a worthwhile investment if I had the extra funds.
Proko's videos are more polished than other tutorials. He makes use of proper editing, voice overs, and even some jazzy background music. A number of lessons include a split screen showing both the reference material and his step by step process. This is much easier to absorb than the typical web cam dangling over the shoulder technique that's used in many of the free tutorials.
Some "safe for work" examples of what Proko has on his channel are:
Drawing Muscles: What You Need to Know
I included some of my sketches from this video lesson in last weeks summary.
How to Draw a Nose - Anatomy and Structure
His nose tutorials are incredibly helpful for moving from flat cartoon noses to more convincingly realistic drawings. I'm still struggling with anatomy at this point, so every little tidbit helps.
While I haven't had the opportunity to view any of the premium content that Proko offers on his site at proko.com, I've watched close to two hours of his free content on YouTube. There's a healthy debate on the merit of tutorials with paywalls when there is so much available for free but my opinion is that this would be a worthwhile investment if I had the extra funds.
Proko's videos are more polished than other tutorials. He makes use of proper editing, voice overs, and even some jazzy background music. A number of lessons include a split screen showing both the reference material and his step by step process. This is much easier to absorb than the typical web cam dangling over the shoulder technique that's used in many of the free tutorials.
Some "safe for work" examples of what Proko has on his channel are:
Drawing Muscles: What You Need to Know
I included some of my sketches from this video lesson in last weeks summary.
How to Draw a Nose - Anatomy and Structure
His nose tutorials are incredibly helpful for moving from flat cartoon noses to more convincingly realistic drawings. I'm still struggling with anatomy at this point, so every little tidbit helps.
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